Fifth shot

I got my fifth COVID shot today, the so-called bivalent booster.

Getting a COVID shot is boring now. But it didn’t used to be.

We got our first shots the day after our age group was eligible. We had to drive an hour to find an appointment. There was an elaborate check-in process. After getting the Pfizer shot, we had to sit down for fifteen minutes until they were certain we weren’t going to pass out or go into anaphylactic shock. Four weeks later, we got the second dose at the same drugstore, going through the same elaborate process. I was ill for two days after the second shot. Then it became a big topic of conversation for the next month: Did you get vaccinated yet? Which vaccine did you get? How long were you sick for afterwards?

We felt invincible for about four months, until the Delta variant hit. Then at last we were eligible for our first booster. This time, we got an appointment at a mass vaccination clinic, held at the San Mateo Event Center, formerly called the county fairgrounds. We waited in a long line of cars while volunteers in fluorescent yellow vests directed us into a big barn. Did we want Pfizer or Moderna? We had heard that you should get the one you didn’t get the first time. So we got Moderna. Then we had to drive into a big parking area while they monitored us to make sure we didn’t pass out. Once again, it was all very dramatic. And I was ill for a day after I got the booster.

For the second booster, I went to the Redwood City medical center where my primary care physician had her office. It was just like getting my annual flu shot. A nurse told me I shouldn’t worry about sitting in the waiting area after getting the shot. I got the shot, left the building, and drove home. My arm hurt for the rest of the day, but I didn’t feel ill.

Today I drove to Braintree to get both my annual flu shot and my third COVID booster. My appointment was at an older, somewhat dingy pharmacy. This time I remembered to wear a short-sleeved shirt. After I got my shot, the pharmacist told me to sit and wait fifteen minutes. I heard the man talking to the pharmacist as he got his shot. “Another shot, I can’t believe it! We’re going to be doing this forever,” he said, in his high querulous tenor voice. She murmured something soothing. “I guess it’s like getting your flu shot every year, isn’t it. And these people who don’t get shots. Can you believe them?!” Another soothing murmur. By this time I had waited five minutes. I decided I wasn’t going to pass out and walked out of the store. There was nothing exciting about any of it.

I still worry a little when I hear about people I know getting COVID. But getting your COVID shot is no longer exciting. It’s just part of the annual routine.

Posts and beams

Some photos from the attic of the 1747 Meeting House in Cohasset:

Truss joint

This image shows the joint in the middle of the second truss from the north end. The ends of the trunnels (treenails) are clearly visible, as are the adze marks.

Beams

This photo shows an unusual joint between a beam and a post. This kind of joinery probably resulted because the carpenters also built boats. This photo was taken along the north wall where the Meeting House butts into the tower. The beam across the top of the photo is sawn, not hewn, and is from a later repair. In the background, you can see a PVC pipe, and coaxial cables running up to the cell phone antennas in the steeple.

Pharoah Sanders

The man Ornette Coleman called the greatest tenor player in the world, Pharoah Sanders, has died at age 81.

He may have been the greatest tenor player in the world, but I tend to think of Pharoah Sanders as the master of spiritual jazz. His extended musical meditation on peace, called “Hum Allah Hum Allah Hum Allah” on his 1969 album “Jewels of Thought,” remains a touchstone of spiritual pacifism for me.

Click on the image above to listen to listen to “Hum-Allah-Hum-Allah-Hum-Allah” on Youtube.

At the beginning of this fifteen minute musical prayer, Sanders says:

“Peace is a united effort for co-ordinated control
Peace is the will of the people and the will of the land
With peace we can move ahead together
We want you to join us this evening in this universal prayer
This universal prayer for peace for every man
All you got to do is clap your hands.
One, two, three….”

And then he chants:

“Prince of peace, won’t you hear our pleas
And ring your bells of peace,
Let loving never cease.”

That simple chant has stuck in my mind (and heart) ever since I first heard it. It continues to support me in a world that’s inching closer to nuclear war in the Ukraine. That chant, in addition to the warmth and deep spirituality of all of Sanders’ music.

He will be sorely missed.

What I did on my summer vacation

Back in July, Carol and I drove to the Cumberland County Fairgrounds in Maine.

We sang Sacred Harp, in a pulling shed, with forty other Sacred Harp singers. There were horses trotting around the race track next to the pulling shed.

Click on the image above to view the video on Youtube

The pandemic shut down in person singing for a long time. It felt really good to sing with other people in person.

I was glad to see that someone posted videos of us singing, so I could be reminded of one of the highlights of my summer vacation.

Meetinghouse

Early New England meetinghouses, used for both public worship and for town meetings, differ from later church buildings in a couple of ways.

First, meetinghouses lack the axial orientation of churches. A church is rectangular, and you enter through the main door in one of the short walls. The congregation is aligned along an axis facing the pulpit. Meetinghouses are either square, or the main entrance is on the short wall; typically there would be entrances on three walls. Instead of an axial orientation, a meetinghouse has (to my mind) more of a communal orientation. You can see the lack of an axial orientation in the photo below, which shows the interior of the meetinghouse of First Parish in Cohasset, my new congregation.

Interior of the meetinghouse, First Parish in Cohasset

Second, meetinghouses were typically not built with a bell tower. If a bell tower was added to a meetinghouse, it would often be placed to the left or right of the pulpit, not opposite the pulpit. A church, by contrast, typically has the bell tower over the main entrance, opposite the pulpit. The placement of the bell tower in a church has the effect of reinforcing the axial orientation. The meetinghouse of First Parish in Cohasset has the bell tower off to one side, which to my eye tends to diminish any sense of an axial orientation in the building.

Front of the building with the main entrance, First Parish in Cohasset

A final difference: meetinghouses typically have less ornamentation than a church. A meetinghouse tends to place the emphasis, not on the building, but on the people in the building.

I’ll be interested to see whether the form of the building makes any difference in the way people interact. Ask me about this in six months or so….

Heat and humidity

The National Weather Service calls this “oppressive” heat and humidity. When I got up at 6:00 a.m., the temperature inside the house was 81 degrees Fahrenheit, and it was maybe two degrees cooler outside.

I went for a walk while it was still relatively cool. A light breeze was coming in off the water, just strong enough to blow the deer flies away. Down on the town beach, you could see maybe a few hundred yards out into Buzzard’s Bay — it wasn’t exactly fog, the air was just murky with moisture. There was no horizon: the gray water shaded into the gray murk which got slightly brighter as it shaded into the gray sky.

Double Crested Cormorants rest on rocks in Buzzard’s Bay

I walked slowly, stopping to look at the periwinkles slowly making their way along the sand, and at green seaweed (Ulva intestinalis?) waving in the water. Though I walked slowly, within a quarter of an hour I was drenched in sweat.

This heat humidity has been going on for weeks now, with only an occasional break. This is not the summer weather we had in New England twenty years ago. It feels more like summers in Philadelphia when I lived there in the 1980s. Or maybe even summers in the Deep South.

Scientists tell us that you can’t tell if climate change is happening based on one weather pattern of a few weeks. So OK, I’m willing to trust the scientists on this one. Nevertheless, this doesn’t feel like the New England weather I remember from the past. Maybe I’m just another old guy waxing nostalgic for lost youth. (Or maybe I’m just an old guy who can’t take the heat any more.) Then I read about the extreme heat in Europe this summer, and what I’m experiencing fits into a larger pattern. Climate change is happening.

Lughnasa

The pagan holiday of Lughnasa traces its roots back to old festivals that celebrated the first fruits of the harvest. In northern Europe, early August was the time when agriculturalists would begin to know what kind of grain crop they’d harvest this year. And they’d begin to have fresh grains again, instead of having to rely on what was left from the previous year’s harvest.

When I’ve lived in New England, as I am once again, Lughnasa becomes a bitter-sweet celebration. More and more fresh vegetables make their appearance at farm stands and farmer’s markets. Raspberries are at their peak, and it won’t be long until we start getting the first summer apples.

Yet at the same time, this is the time of year when you first begin to sense that the days are growing shorter. Some birds begin to drop out of the morning chorus; when I went out for a walk early this morning, I didn’t hear any more Willow Flycatchers. In a drought year like this year, you even begin to see red leaves in early August; we took a long walk on Sunday and here and there were Poison Ivy vines with brilliant red leaves.

It’s both the peak of summer, and the beginning of the turn towards winter.

Westport, Mass., to Cumberland Center, Me.

We drive up to the Cumberland County Fairgrounds in Maine to sing shape note music. We tried to check into the campground on the fairgrounds, but there was no one to check in with. We called the number of the man who supposedly oversees the campground. He sort of grunted at us over the phone, and we assumed that meant we should just take whatever campsite we wanted. No picnic tables in the campsites. The restroom and shower are pretty foul. We thought about finding another campground, but this one is right next to where we’ll be singing. So we stayed, and set up our tent.

One bonus of this campground: We got to watch horse racing while we waited for the evening singing to begin. I’m not very interested in horse racing, but it was fun to see and hear the sulkies rumble past.

Sulky racing, Cumberland County Fairgrounds

The evening singing was preceded by a chili dinner, with food shared by Maine shape note singers. Then we went into the Pulling Arena. A bunch of folding chairs were set up in the usual “hollow square.” We settled down to sing. The sound went up into the dim reaches of the pole barn far above us.

Cooper Book singing, Cumberland County Fairgrounds, Maine

We sang out in the middle of the dirt floor. At the end of the evening’s singing, I noticed a man, a woman, and a girl were watching us from the stands. I went over and told them they should come sing with us tomorrow. Then a couple of Maine singers came over, and told them about Maine shape notes singings. The Maine singers handed the man and the woman a Cooper book each.

I could see that the girl was also interested, so I handed her one of the Cooper books so she could look at it, and follow along. The Maine singers directed their comments to the adults. I made sure to tell the girl that lots of kids sing this music, too. She looked to be about nine or ten, a perfect age to learn how to sing four-part shape note music. I told her that kids always sing the tenor part, because it’s the melody, and the most interesting part. But this is the Maine singers’ territory, and I was overstepping the bounds by butting in and talking to the girl. So I quietly stepped away. And children in our society are so often ignored, I’m sure the girl wasn’t bothered in the least. It’s just something I happened to notice.

Fog

When I got up at about six this morning, there was fairly heavy fog. I went for a walk, but my glasses soon fogged up and I couldn’t see very well. So I listened for birds. A Lesser Yellowlegs remained unseen, but I could hear it calling tu — tu — tu as if flew overhead. A Seaside Sparrow in the bush next to the road, sounding a bit like a Red-winged Blackbird with a head cold, finally showed itself quite close by. Then I was on the beach where the sound of the waves drowned out the other sounds. The fog was even thicker on the beach, and I could barely see at all, my glasses were so fogged up. I looked down at my feet to keep from stumbling on the round stones of the beach, and saw this:

Sea Sandwort (Honckenya peploides)

Allens Pond at sundown

Allens Pond, Westport, Mass.

I took a walk after dinner, past the crowd waiting at Bayside Restaurant, across the street to Allens Pond. In the field within sight of the road, a man was talking to a twelve year old boy who had earbuds dangling around his neck. “There are probably foxes in here,” he said, gesturing to a field. The boy didn’t seem impressed. I said hello, and the man returned my greeting. “Perfect day,” I said. “Yeah, it is!” he said with a big smile on his face.

A few people were walking the Beach Loop, but as soon as I turned onto the Quansett Trail, there were no more human beings — just a rabbit. I walked down to where I could see Allens Pond. An Osprey sat on a nesting platform in the distance. The sun slowly sank behind the trees, leaving a few patches of salt marsh grass looking golden. A Willow Flycatcher gave its “Fitzbew!” call. I took a photo, and then just stood there watching the light slowly change. It wasn’t mindfulness so much as mindlessness — there was nothing in my mind, including my mind.

This was the most engaging thing I’ve done all day. I think I’m badly in need of this vacation.