Nitpicking

This post is really about language, thought it might not seem like it at first.

This afternoon, we went to a lice removal specialist up in Burlingame. We’d done the pesticide shampoo, we’d washed bedding and clothing in hot water, but it’s really hard to be patient enough to spend an hour combing through your partner’s hair to remove nits, and then spend another hour having your partner comb through your hair. We decided it was worth it to us to spend the money to have someone else do it for us.

As I sat there, I realized that what the fellow was doing to me was picking nits — he was, in fact, a professional nitpicker. As it is usually used, the word “nitpicker” has negative connotations: it means someone who pays too much attention to detail, who doesn’t see the forest for the trees, a micro-manager. But if you’re getting rid of a live infestation, you really, really want obsessive attention to detail. Thus it is curious that the word “nitpicker” has negative connotations; it makes more sense to me that it should have positive connotations.

But language changes over time, and the meanings of words often evolve away from their original meanings. So nowadays it is no longer a compliment to call someone a nitpicker.

Another folk-type hymn

I ran across a poem by Frances Ellen Watkins Harper variously titled “Let the Light Enter” or “The Dying Words of Goethe.” I thought it would make a good hymn: it’s a poem by a liberal religious writer, and we religious liberals have too few poems on the topic of death and dying. So I wrote a simple folk-type melody to go with the poem — it’s a little schmaltzy, but not (I hope) too schmaltzy — and provided a basic harmonic structure, with guitar chords, and an easy bass line to fill that out a little.

Somehow I can’t see many religious liberals using this in a Sunday service. But I’ve found it fun to sing, and I can see it as a campfire song, or something along those lines. On the off chance that someone else might have fun with it, here’s a PDF of the sheet music (you humanists will want to lose the sixth and last verse):

Let the Light Enter (The Dying Words of Goethe)

2011 in review: the liberal religious blogosphere

The most important trend in liberal religious blogging in 2011 was the continued growth of other forms of social media. Facebook and Twitter are obvious cases in point. Compared to blogging, it’s so much easier to post a quick status update to Facebook or Twitter, so much easier to let someone else manage the technical infrastructure, so much easier to stay in touch with your friends and family without juggling RSS feeds. At the same time, Facebook and Twitter (and Tumblr and Google Plus and LinkedIn and Pintrest and all the other multitudinous social media outlets) are different from blogs, they help to spread good blog posts to a wider readership, and they serve more to supplement blogs than to supplant them.

The second most important trend in liberal religious blogging: plenty of people are still writing and reading blogs. The main aggregator of Unitarian Universalist blogs, Uupdates.net, is now tracking over 500 blogs. This represents, I believe, a slight increase over last year, and on the order of a tenfold increase over five years ago. It’s impossible to keep track of that many Unitarian Universalist blogs, and I would say there is no longer a coherent UU blogosphere — there are just a lot of blogs, a lot of bloggers, and a lot of blog readers.

As an example of the ongoing strength of blogs, “Yet Another Unitarian Universalist” continues to rise slowly in readership; last time I checked, back in October, this site was approaching ten thousand unique visitors a month. (I’m not keeping track at the moment — my Web host got rid of their analytic tools, and I haven’t had time to install an alternative.) And there are plenty of other liberal religious blogs out there with bigger readerships.

And speaking only for myself, the third most important trend in liberal religious blogging has been my return to non-Unitarian Universalist blogs. In 2003 when I first started reading religious blogs regularly, there were only half a dozen Unitarian Universalist blogs; you were almost forced to read read non-UU blogs. Then for a while I tried read every UU blog at least a couple of times a year. I continue to look at uuworld.org’s UU blog round up, and I try to scan UUpdates.net periodically. But I I find myself going back to my 203 habits, and reading lots of non-UU blogs. I scan the blog of Steve Thorngate — he’s an associate editor at Christian Century — for religion news, and the intersection of religion and politics. I sometimes read Carol Merritt’s blog “Tribal Church,” mostly about young adults and religion, which is also on the Christian Century Web site. For leadership and growth issues, I regularly scan the weekly Alban Institute “Conversations” posts, which are linked to from their “Roundtable” blog. Recently, I rediscovered The Velveteen Rabbi, and am enjoying the personal take on spirituality there. So yes, I’m reading lots of non-UU blogs these days, and I’ve been enjoying the wider perspective that I’ve been getting.

One voice

I’ve been meaning to do a transcription of the Wailing Jennys’ song “One Voice.” It’s one of those singer-songwriter songs that seems made for liberal religious services. But now I don’t have to do a transcription, because some nice person made a transcription-arrangement (for SAB, and in a singable key too), and put it on the Web here.

Helen Frankenthaler died today

I remember first seeing Helen Frankenthaler’s paintings, and not quite getting them. Pollock and de Kooning were macho men, and they flaunted their machismo in physical, almost violent paintings. Having spent a good deal of time looking at Pollock and de Kooning (and David Smith, and other first generation abstractionists), I had gotten the mistaken idea that American abstract artists had to put on a tough-guy attitude in order to succeed.

Frankenthaler just painted. After I got over my mistaken idea that abstract painting had to be macho, I came to appreciate the subtleties of her washes of color, and her supple drawing style. I never came to love Frankenthaler’s work, but looking at her paintings opened me up to better understand the quiet paintings of artists like Agnes Martin and Richard Diebenkorn, and the Southern Song painter Chen Rong who most famously painted the “Nine Dragons” scroll. No macho posturing, just deeply insightful painting.

Large-scale paintings like Frankenthaler’s — reflective paintings with emotional subtlety and nuanced color, often paintings that are of, or resemble, landscapes — provoke a profound mystical response in me. They take me beyond human concerns to transcendent plane. Maybe Frankenthaler was never one of my favorite painters, but she would make my short list of painters whose work you’d want to have dominating a worship space.

Obituary at Art in America.

It’s beginning to look a lot like…

Having grown up a New England Yankee in the Puritan heartland, there’s always a part of me that feels Christmas to be an abomination. It was my Puritan ancestors who made Christmas illegal for a short time in the Massachusetts Bay Colony. And the Puritan strain in me thinks there should be only one holy day, and that’s the sabbath, and adding any other holy day is idolatry or worse.

But I’m also the product of several generations of New England Unitarians. Unitarian Louisa May Alcott created the ideal for a liberal religious Christmas in her book Little Women: a home-based family celebration devoted to selfless giving, guilt, and helping others. Unitarian Edmund Hamilton Sears created the ideal for a liberal religious Christmas carol in “It Came Upon a Midnight Clear”: a song where the Christmas story is really a story about peace, social justice, and a twinge of guilt upon feeling that you’re not doing enough to make the world a better place.

So I both hate Christmas, and like Christmas. It’s no wonder that when Christmas Day rolls around, I’m ready to ignore the holiday and go out for Chinese food.

Occupella

Carol sent me a link to the Web site for Occupella, a Bay area a capella singing group. Occupella describes themselves as follows:

Occupella organizes informal public singing at Bay Area occupation sites, marches and at BART stations. We sing to promote peace, justice, and an end to corporate domination, especially in support of the Occupy movement. Music has the power to build spirit, foster a sense of unity, convey messages and emotions, spread information, and bring joy to participants and audience alike.

There’s a link to their Facebook page, where various people have posted tons of lyrics, videos of songs, etc.

If there’s so much singing going on, why is it that at every protest march we have to endure the interminable protest chants in 2/4 time? You know those stupid protest chants: Hey ho, We won’t go, etc. — which repeat over and over and over again ad nauseum, and which make me want to chant in response:

Hey ho, let’s not chant
Those tired old political rants.
And hey ho, the drummers suck,
I mean to say, WTF?
And hey ho, let’s sing instead,
These protest chants are tired and dead.

Music tends to deflate and subvert boring ideological lyrics, so even the most didactic protest song is always better than protest chants. Therefore Occupella gets my full support (for what little my support is worth):

More joy,
Less ranting,
Sing real loud
And drown out chanting!

Shameless promotion

If you’re looking for the perfect last minute-Christmas gift, there’s this great book by Carol Steinfeld called Liquid Gold: The Lore and Logic of Using Urine To Grow Plants. Perfect for bathroom reading, the first half of the book has all kinds of bizarre and funny tidbits about how people have used urine over the centuries — as well as tidbits about the current state of peeing, including urinal video games. The second half of the book gives you serious information about how you can make your garden greener using urine.

So this is the perfect gift for the twelve-year-old boy on your gift list who likes pee jokes (and every adult American male is actually a twelve-year-old boy who likes pee jokes). It is also the perfect gift for the gardener on your list. And if you order by Wednesday, Carol can ship it to you via priority mail so you get it in time for Christmas (for an extra $4 in postage over the special Internet price of $12).

To get it in time for Christmas, call the phone number on Carol’s Web site. If you want it signed, she can sign it for you. And of course I think this is a great book, my sweetheart wrote it.

What, Christmas carols already?!

There are some good carols that don’t appear in the Unitarian Universalist hymnal. One of my faves, “O Tannenbaum,” isn’t in the hymnal, and I realized that I had made a PDF file of the sheet music (with a decent English translation of the original German words), sized to fit on a half-sheet, perfect for an insert in an order of service. There’s probably someone out there who could use this PDF, so here it is:

“O Tannenbaum,” PDF file