The author of Mark Tidd

When we were kids, my sister Jean and I discovered the Mark Tidd books, written by Clarence Budington Kelland, while we were staying at our grandmother’s house in Staten Island, New York. I remember one of the books was inscribed “To Bobby” — that was my father’s name when he was a boy — from his mother.

Jean and I loved Mark Tidd. He was smart. Even though he looked funny (he was fat, and he stuttered), he always got the better of potential bullies. He and his three buddies got into all sorts of interesting adventures — in one book they took over a failing newspaper, in another book they ran a store, in another book they rented an entire broken-down deserted resort hotel — and they were always saved from looming disasters by Mark Tidd’s brains.

I tracked down some of the Mark Tidd books a few years ago, to see if I would like them now as much as I liked them when I was a kid. The plots and characters were pretty good, as juvenile series books go — the plots and characters obviously look to Tom Sawyer as a model (Tom Sawyer is explicitly mentioned in the opening pages of the first book; see also “Michigan Authors and Their Books,” Michigan Library Bulletin, vol. 16, no. 4, Sept-Oct. 1925 [Lansing, Michigan], pp. 22-24) — but as an adult I picked up on some undercurrents that made me uncomfortable. In the first book, Mark Tidd and his three friends form a secret society, which they model on the Ku Klux Klan; even though there’s no overt racism in the book (everyone in the story is white), even mentioning the Ku Klux Klan positively made it hard for me to like the book. (The later books don’t mention the KKK.) In the rest of the books, Kelland extols the virtues of hard work , honesty, and financial know-how — these are values I can affirm — but he doesn’t seem to recognize that a key ingredient to Mark Tidd’s success in his various enterprises is the backing of his father’s immense capital.

Recently I tried to find a biography of Kelland. Continue reading “The author of Mark Tidd”

A book that changed your life

The monthly memoir writing group at our church follows a standard format: people in the group can read something they have written since the last meeting (usually based on last month’s writing assignment); then I read a passage from a published memoir, and give an assignment based on that example; then the last hour is devoted to writing.

We can’t meet this month. I was going to send out the assignment via email, but it seems to me it’s important to hear the example read out loud. So I made a video of this month’s writing assignment… Video removed — the full text of the video is below:


Welcome to the September online writing group.

Since we can’t meet in person this month, I decided to do a video of this month’s assignment — I was inspired by Mike’s video version of one of the memoirs he wrote. And I’m going to suggest that if you know how to make a video, you might do your own video of yourself reading last month’s assignment, and share it with the rest of us via email.

Now onto this month’s reading….


Frederick Douglass needs little introduction to any American. He was born into slavery, escaped to freedom in the north via the Underground Railroad, and become one of the most compelling speakers against slavery. He wrote three autobiographies, each of which describes his life in slavery and his escape to freedom; the later autobiographies tell something more of his life as a free man.

Douglass taught himself to read when he was twelve years old, and still a slave. He had to learn in secret for his master expressly forbade him to learn how to read, saying it would make him discontented and ruin him as a slave. When he finally did learn how to read, there was one book that changed his life, and set him on the path to becoming one of the most famous and effective abolitionists. Here’s how Douglass describes the book that changed his life:


When I was about thirteen years old, and had succeeded in learning to read, every increase of knowledge, especially respecting the FREE STATES, added something to the almost intolerable burden of the thought — I AM A SLAVE FOR LIFE. To my bondage I saw no end. It was a terrible reality, and I shall never be able to tell how sadly that thought chafed my young spirit.

Fortunately, or unfortunately, about this time in my life, I had made enough money to buy what was then a very popular school book, viz: the Columbian Orator. I bought this addition to my library, of Mr. Knight, on Thames street, Fell’s Point, Baltimore, and paid him fifty cents for it. I was first led to buy this book, by hearing some little boys say they were going to learn some little pieces out of it for the Exhibition. This volume was, indeed, a rich treasure, and every opportunity afforded me, for a time, was spent in diligently perusing it.

Among much other interesting matter, that which I had perused and re-perused with unflagging satisfaction, was a short dialogue between a master and his slave. The slave is represented as having been recaptured, in a second attempt to run away; and the master opens the dialogue with an upbraiding speech, charging the slave with ingratitude, and demanding to know what he has to say in his own defense. Thus upbraided, and thus called upon to reply, the slave rejoins, that he knows how little anything that he can say will avail, seeing that he is completely in the hands of his owner; and with noble resolution, calmly says, “I submit to my fate.” Touched by the slave’s answer, the master insists upon his further speaking, and recapitulates the many acts of kindness which he has performed toward the slave, and tells him he is permitted to speak for himself. Thus invited to the debate, the quondam slave made a spirited defense of himself, and thereafter the whole argument, for and against slavery, was brought out. The master was vanquished at every turn in the argument; and seeing himself to be thus vanquished, he generously and meekly emancipates the slave, with his best wishes for his prosperity.

It is scarcely necessary to say, that a dialogue, with such an origin, and such an ending — read when the fact of my being a slave was a constant burden of grief — powerfully affected me; and I could not help feeling that the day might come, when the well-directed answers made by the slave to the master, in this instance, would find their counterpart in myself.

This, however, was not all the fanaticism which I found in this Columbian Orator. I met there one of Sheridan’s mighty speeches, on the subject of Catholic Emancipation, Lord Chatham’s speech on the American war, and speeches by the great William Pitt and by Fox. These were all choice documents to me, and I read them, over and over again, with an interest that was ever increasing, because it was ever gaining in intelligence; for the more I read them, the better I understood them. The reading of these speeches added much to my limited stock of language, and enabled me to give tongue to many interesting thoughts, which had frequently flashed through my soul, and died away for want of utterance. The mighty power and heart-searching directness of truth, penetrating even the heart of a slaveholder, compelling him to yield up his earthly interests to the claims of eternal justice, were finely illustrated in the dialogue, just referred to; and from the speeches of Sheridan, I got a bold and powerful denunciation of oppression, and a most brilliant vindication of the rights of man. Here was, indeed, a noble acquisition. If I ever wavered under the consideration, that the Almighty, in some way, ordained slavery, and willed my enslavement for his own glory, I wavered no longer. I had now penetrated the secret of all slavery and oppression, and had ascertained their true foundation to be in the pride, the power and the avarice of man. The dialogue and the speeches were all redolent of the principles of liberty, and poured floods of light on the nature and character of slavery.

With a book of this kind in my hand, my own human nature, and the facts of my experience, to help me, I was equal to a contest with the religious advocates of slavery, whether among the whites or among the colored people, for blindness, in this matter, is not confined to the former. I have met many religious colored people, at the south, who are under the delusion that God requires them to submit to slavery, and to wear their chains with meekness and humility. I could entertain no such nonsense as this; and I almost lost my patience when I found any colored man weak enough to believe such stuff. Nevertheless, the increase of knowledge was attended with bitter, as well as sweet results. The more I read, the more I was led to abhor and detest slavery, and my enslavers. “Slaveholders,” thought I, “are only a band of successful robbers, who left their homes and went into Africa for the purpose of stealing and reducing my people to slavery.” I loathed them as the meanest and the most wicked of men.

As I read, behold! the very discontent so graphically predicted by Master Hugh, had already come upon me. I was no longer the light-hearted, gleesome boy, full of mirth and play, as when I landed first at Baltimore. Knowledge had come; light had penetrated the moral dungeon where I dwelt; and, behold! there lay the bloody whip, for my back, and here was the iron chain; and my good, kind master, he was the author of my situation. The revelation haunted me, stung me, and made me gloomy and miserable. As I writhed under the sting and torment of this knowledge, I almost envied my fellow slaves their stupid contentment. This knowledge opened my eyes to the horrible pit, and revealed the teeth of the frightful dragon that was ready to pounce upon me, but it opened no way for my escape. I have often wished myself a beast, or a bird — anything, rather than a slave. I was wretched and gloomy, beyond my ability to describe. I was too thoughtful to be happy. It was this everlasting thinking which distressed and tormented me; and yet there was no getting rid of the subject of my thoughts. All nature was redolent of it. Once awakened by the silver trump of knowledge, my spirit was roused to eternal wakefulness. Liberty! the inestimable birthright of every man, had, for me, converted every object into an asserter of this great right. It was heard in every sound, and beheld in every object. It was ever present, to torment me with a sense of my wretched condition. The more beautiful and charming were the smiles of nature, the more horrible and desolate was my condition. I saw nothing without seeing it, and I heard nothing without hearing it. I do not exaggerate, when I say, that it looked from every star, smiled in every calm, breathed in every wind, and moved in every storm.

From My Bondage and My Freedom by Frederick Douglass, Library of America edition of his three autobiographies, pages 225-227.


Of course, this is a particularly dramatic example of how one book can change someone’s life. Your life may be less dramatic than Douglass’s (and if so, you are probably glad of that), but you still probably have had a book change your life in some deep way. Or perhaps it was a poem that stuck in your memory and changed how you saw the world; or a short story, or a speech, or a sermon. Books, poems, stories are all part of a grand conversation that can include our entire culture, and that we can take part in.

Your assignment, then, is to write about words that changed your life. How old were you? How did you find this book? Where were you when you read it? And what was the immediate effect of this book on you?

You know the rest: write two pages, or about 500 up to a thousand words, and bring it to the next class.

How to write quickly

According to biographer W. Jackson Bate, Dr. Samuel Johnson could write with extraordinary speed. Bate points to Johnson’s work for the London Magazine, when he was in his early thirties, and writing out Parliamentary debates as if he had recorded them verbatim, but based solely on second-hand and often fragmentary reports of the debates:

[Johnson] had always … been able to write rapidly. But now, as John Nichols said, “Three columns of the Magazine, in an hour, was no uncommon effort, which was faster than most persons could have transcribed that quantity.” Since a column there contains a little more than six hundred words, this would mean an average rate of at least eighteen hundred words an hour, or thirty a minute. On one day — “and that not a long on, beginning perhaps at noon, and ending early in the evening” — he wrote twenty columns (about twelve thousand words)…. —Samuel Johnson: A Biography, W. Jackson Bate (New York: Harcourt Brace Jovanovich, 1975; Berkeley: Counterpoint, 1998), pp. 205-206.

At my most productive, I have only been able to write about 2,500 words a day, which I found mentally exhausting; Johnson wrote nearly five times that amount, and what he wrote was of better quality than mine.

Bate goes on to quote a passage from James Boswell’s Tour of the Hebrides, in which Johnson is quoted as saying:

BOSWELL. “We have all observed how one man dresses himself slowly and another fast.” JOHNSON. “Yes, sir, it is wonderful how much time some people will consume in dressing: taking up a thing and looking at it, and laying it down, and taking it up again. Everyone should get in the habit of doing it quickly. I would say to a young divine, ‘Here is your text; let me see how soon you can make a sermon.’ Then I’d say, ‘Let me see how much better you can make it.’…

Since I am in the process of writing a sermon (in which Dr. Johnson makes a guest appearance), I had better take his advice, and begin writing quickly.

She’s wrong, but it’s OK

I started reading Maxine Hong Kingston’s memoir I Love a Broad Margin to My Life. I almost stopped reading before I finished the tenth page.

At the bottom of the ninth page, Maxine Hong Kingston begins talking with Mary Gordon:

[Mary Gordon says:] “It’s capitalistic
of us to expect any good to come from peace demonstrations,
as if ritual has to have use, gain, profit.”
I agreed, “Yes, it’s Buddhist to go parading
for the sake of parading.” “Can you think of a writer
(besides Chekov) who is holy and and artist?”
“Grace Paley.” She smiled. “Well, yes.”
Obviously. “Thoreau.” “Oh, no. Thoreau’s
too Protestant, tidy, nonsexual. He goes
home to Mom for hot chocolate. No
sex, no tragedy, no humor.”
Come to think of it, Thoreau doesn’t make
me laugh….

This is where I almost stopped reading. Doesn’t she get it? Walden is a hilarious parody of all those early nineteenth century adventure books where the protagonist travels to some exotic place and has adventures; the fact that Thoreau goes home to have hot chocolate is part of what makes it funny. Thoreau is constantly poking fun at himself. Admittedly, his puns are often terrible (the title Walden is itself a pun on Waldo, the name Ralph Waldo Emerson was known by, and on the poverty-seeking Waldensians). And Thoreau’s humor can be broad and even a little crude, like twelve-year-old boy humor. But when you read Thoreau out loud to a group of people, you get belly laughs. Maybe this is what comes when we no longer read literature out loud: the words just form in our heads, and we lose touch (literally) with the physical reactions words can provoke.

I decided to forgive Maxine Hong Kingston’s inability to get Thoreau’s humor. She can’t help it if she doesn’t have an inner twelve-year-old boy who likes bad puns and broad humor. And the rest of her memoir is pretty good, although it’s not very funny.

Downtown Phoenix

Once it got cool enough to go out for a walk, Carol and I strolled over to find Lawn Gnome bookstore on 3rd St. between Roosevelt and Garfield. Along the way, we stopped at Bodega 420, a neighborhood store that carries a little bit of everything: locally produced food, canned food, ice cream, loose tobacco, condoms, playing cards, etc. We chatted with the owner, Adrian Fontes, a lawyer who runs the store in his spare time.

Adrian on the front porch of Bodega 420.

Adrian told us about the art fair that takes place on first Fridays next to his shop: artists, music, food trucks. He took us to the front porch of Bodega 420 and pointed out JoBot Coffee, some art galleries near by, the new apartment complex going up down the street, and Lawn Gnome Books. Adrian, whose family dates back over three hundred years in Arizona, said he lived for many years in Denver, and told us it was hard to leave there to return to Arizona. But now he’s excited to be in Phoenix: everyone’s from somewhere else, the city isn’t set in its ways, there’s room to innovate.

We wandered down the block to Lawn Gnome Books. I found a used copy of short stories by Joanna Russ, and Carol found The Hobo Diet, a book by someone who lived as a homeless man for five weeks in Las Vegas. Carol started talking with Billie Speece, one of the people who worked at the bookstore.

Billie in Lawn Gnome Books.

Among many other projects, Billie runs letter writing workshops at the bookstore. Years ago, Carol had been part of the Letter Exchange, and she and Billie talked about rubber stamps and mail art. Billie showed us some of the envelopes she makes from recycled paper, stitching the seams with embroidery thread. She said she is part of the Letter Writers Alliance; she added that recently AARP contacted her about her workshops.

I bought one of the handmade journals Billie sews together, using paper taken from damaged books, paper that has one side blank. One of the pages in the handmade journal I bought reads in part: “I wish Gertrude were here…. I wish she could see the man God is building on her foundation.” Another page reads: “Foods high in vitamins, minerals, and amino acids.” Carol just said, “What are you going to do with your journal?” I said I didn’t know; maybe I’ll just keep it.

Photo credits: Carol Steinfeld

Ray Bradbury: a brief appreciation

When I was a child, maybe eleven or twelve years old, I discovered my parents’ old science fiction books on some metal shelves in the basement. The only one of these books I really remember was a paperback edition of Ray Bradbury’s The Illustrated Man. In my mind’s eye I can still see the cover design, and the cracked binding. One of the stories in particular stuck with me, still sticks with me:

In “The Man,” a spaceship travels to a planet that hasn’t been visited by any spaceships for a long time. The crew of the space ship expects to be greeted with astonishment and wonder, but upon landing they discover that another visitor, a solitary man, has preceded them by just a few days. Everyone who met this man is filled with a kind of peace and inner contentment. This amazing man has gone on to a new planet. Some of the crew decide they must meet this man themselves, and they head off in the space ship to follow him. But a few of the crew remain on the planet; they know that the rest of the crew who are pursuing this man will never quite catch up with him, they will miss him by a day, then by a few hours, then by minutes, but they will always miss meeting him in person; they decide they don’t need to meet the man in person, that living on this now-peaceful planet with these now-peaceful people is enough.

Even at eleven or twelve years old, I figured out that this story was about religion, about a Jesus-like figure. Later, I figured out that this story was criticizing literalism in religion; it is futile to try to find the “real” Jesus, the “real” prophet, because you will never catch up with him (or her). Later still, I discovered that Ray Bradbury was a Unitarian Universalist, and this was exactly the kind of story a religious liberal would write.

Some of Bradbury’s work can be overly sentimental, with stereotyped characters and pat endings. One such a story comes to mind: In “Kaleidoscope,” a spaceship explodes, the crew in spacesuits are propelled off in all directions, knowing they will live only as long as the oxygen lasts in their space suits; they talk with each other via their suit radios, talking, crying, saying vicious things, telling what direction they’re headed in, coming to peace with one another. Slowly each one passes out of radio range of the others. One of them is captured by the gravitational well of Earth, and is seen from the surface of Earth as a meteorite, a shooting star. It’s a story about how we all have to die alone, but Bradbury can’t resist the pat ending of having one of the dying crew men end life as a shooting star upon whom a boy makes a wish. But in spite of that, I can’t help liking “The Kaleidoscope”: I know we die alone, and that most of human death amounts to little more than a lone spaceman flying off into the endless void; but I want to believe that once in a while, the end of a human life can be a force for good in the world, even if it’s little more than a brief flash of light in the night.

Bookstores in the age of ebooks

According to this BBC feature article, best-selling author Ann Patchett believes it is still possible to have a successful bookstore. Six months ago she opened a bookstore in Nashville, Tennessee, and although she didn’t need to make a profit, in the interview she says “we’re doing really well.”

Patchett addresses the rise of ebooks. She does not denigrate ebooks, but points out that that many readers still appreciate a physical book. “Just because ebooks are becoming popular doesn’t mean that we should scoop all the other books into a pile and burn them,” she says. “And there is a spirit or attitude of, ‘Well, books are dead, it’s over, forget it.’ And it’s not over.”

More on Thoreau

Lecturette from the second and final session of a adult RE class on Thoreau — typos and all.

At the end of last week’s session, you asked me to address a number of points about Henry David Thoreau. In no particular order, you asked me to talk about the following:

(1) Thoreau’s notion of civil disobedience
(2) How Thoreau was affected by Eastern religions
(3) The circle of writers and thinkers who came and went in the town of Concord during Thoreau’s life
(4) Why Thoreau left his Unitarian church, and place his departure in the context of wider trends in Unitarianism
(5) Thoreau’s later influence on Unitarianism, and then on Unitarian Universalism Continue reading “More on Thoreau”

A heretical introduction to Henry Thoreau, pt. 1

Opening talk from a class on Henry David Thoreau, given at the UU Church of Palo Alto on 18 April 2012.

Henry Thoreau is one of those literary figures that everyone likes to think they know. But having read him (and even studied him in a desultory way), and having read a good deal about him, and having lived the first forty years of my life in the very landscape of Concord, Massachusetts, in which he lived, and having been licensed as a tour guide in Concord, and having preached about him, and having in short devoted rather too much attention to Thoreau — the more I know about him, the more I feel that we tend to impose our sense of what we want Thoreau to be onto who he actually was.

What I would like us to do is to try to understand Thoreau as he really was, not as we would like him to be. That means that we cannot understand him as an environmentalist, because that is not a term he would have known, nor am I convinced that he would have been comfortable with that term. That means that we cannot claim Thoreau as a Buddhist, or a Unitarian, or an atheist or humanist, as various people have done over the years, for as an adult he would not have accepted any of those labels. That means that we should not think of him as one of the key figures in nineteenth century American literature, for in his own lifetime and throughout the nineteenth century he was spectacularly unsuccessful as a writer, especially as compared with his mentor, Ralph Waldo Emerson; and while Thoreau may today be considered a key figure in American literature, arguably he remains misunderstood primarily because his gifts in broad humor and the telling of tall tales are rarely acknowledged.

So who was Thoreau? Continue reading “A heretical introduction to Henry Thoreau, pt. 1”