What is religion

Over the past couple of weeks, I’ve been intensively writing a curriculum on world religions for middle elementary grades. Most of my time has been spent in developing activities for children to get inside the stories that are the basis of the curriculum — so my home office, and my office at work, became workshops where I was making prototypes of paper bag puppets, mobiles, board games, masks, and so on. And the rest of my time was devoted to writing up those activities. Yet all the while I was producing material aimed at second and third graders, and their volunteer teachers, I was thinking about what religion is. Because when you’re trying to make something clear to second and third graders, you first have to make it clear to yourself.

Here, then, are some of my thoughts on religion:

First of all, it is widely accepted among current religious studies scholars that religion is not a thing; that is, there is not a “thing” out there that you can point to and say, “That’s religion.” Some religious studies scholars will say that religion is at most a social construct. Other scholars argue that there really is no such thing as religion; that what we call “religion” is actually the West trying to impose the characteristics of Western Christianity — belief in a transcendent being, hierarchy and clergy, weekly meetings, exclusive adherence to one religious group, etc. — on other societies. Still other scholars point out that religion is a valid category within Western jurisprudence, because the West holds dear something we call “religious freedom”; but that defining what constitutes a religion which can receive the legal protection under laws pertaining to religious freedom is often problematic (e.g., Scientology is defined as a religion in the United States, but not in some Western European countries; Mormonism was allowed to become a religion in the United States in the legal sense only after it renounced the tenet of plural marriage; etc.). Finally, still other scholars argue that “religion” is really merely a tool of colonialism; this may be seen, for example, when the British Empire took over the Indian subcontinent, and, for ease in colonial control, defined something called “Hinduism” that didn’t exist before; though then some newly-created “Hindus” figured out that the Western concept of religious freedom could give them some autonomy in which to resist colonial oppression, making everything far more complicated than it might appear at first.

In short, religion is at best a social construct; at another extreme, it might not even exist at all.

More importantly, when talking about “religion,” we must be very careful to avoid imposing Western definitions and criteria. This means that talking about “faith communities” is problematic: “faith” implies that Western-style belief in a transcendent being is the central feature of a religious group; but many Therevada Buddhists simply don’t have a transcendent being; certain strands of Judaism emphasize correct action (orthopraxy) over correct belief (orthodoxy); etc. Indeed, talking about “communities” is problematic, because it assumes Western-style voluntary associations called “congregations”; but many strands of Daoism in China have nothing that remotely resembles a congregation; the Buddhist sangha, usually conceptualized in the West as a congregation, in other parts of the world is a small grouping more like what we in the West would think of as monks.

Nor should we talk about “adherents,” a common term in the United States to designate persons who are associated with a religious group. The word “adherent” carries connotations of Western-style Christianity, where you get to choose which religious group you want to adhere to; but in many parts of the world, you are born into a “religion” and it’s not a choice, such that religious affiliation is closer to ethnic identity. We wouldn’t say that someone born in Ireland who emigrated to the United States is an “adherent” of Irish-Americanism; the same is true for many religious affiliations.

Even as a social construct, religion — considered carefully — challenges many of our preconceptions. We are accustomed to making broad, sweeping generalizations about a given religion: for example, all Christians believe in God. But that simply isn’t true: there are today a good many Christian atheists in the United States, people who embrace many of the teachings of Christianity, but who simply don’t believe in God. When I have pointed this out to some non-Christians, they become offended, because they “know” that all Christians believe in God, and therefore they didactically proclaim that a Christian who doesn’t believe in God isn’t a “real Christian.” But this kind of statement cannot be accepted: how can a non-Christian presume to dogmatically declare who is and who isn’t a Christian? — indeed, this kind of statement helps us understand how “religion” was used as a tool of colonial control: an outsider proclaims that what a colonized person is doing is religion, and therefore that colonized person has to do it a certain way, or else…. If we remember that religion is a social construct, and specific religions cannot be defined by broad sweeping generalizations, we can save ourselves from attempting to control other people in this way.

Along these lines, we can also remember to let religions speak for themselves, rather than trying to speak for religions. As I was looking at older world religions curriculums, I was struck by how often the curriculum writer was willing to take a religious story and turn it to their own ends. This most often happens when a curriculum writer takes a story, removes some specific religious content, and repurposes the story as a moral tale. A common example of this is the way curriculum writers (and children’s book authors) use Buddhist Jataka tales. Most Jataka tales take the form of a story-within-a-story: the framing story is an incident happens within the community of monks surrounding Gotama Buddha; next the Buddha tells the story-within-the-story, an incident from one of his previous incarnations; finally, we return to the framing story where Buddha and the monks talk over which of them was which character in the story-within-the-story. But curriculum writers (children’s book authors) tend to strip away the framing story, rewriting the story-within-the-story as a simple folk tale; but this imposes an outside (probably non-Buddhist, probably Western) interpretation on the Jataka tale.

When we let religions speak for themselves, we also have to remember the internal diversity within religions. One Christian cannot speak for all Christians; not even if he’s the Pope, for the Pope only speaks for Roman Catholics (and maybe not for all Roman Catholics, as we seem to be seeing in the resistance of conservative Catholics to the current pope’s reform efforts). When you look at the internal diversity of the “religion” of Christianity, it boggles the mind. How are silent meeting Quakers the same religion as Eritrean Orthodox Christians? How is the Church of Jesus Christ of the Latter Day Saints the same religion as the Church of the Lord (Aladura)? It is true that they all share a reverence for Jesus; but there are Muslims and Hindus and Baha’is who also share some kind of reverence for Jesus (perhaps a lesser reverence, but how can we measure that?). It is true that the wildly diverse groups refer to some of the same books as a shared religious scripture, but these books are translated and interpreted differently, and some groups add other books, or leave out parts of some books. Moving beyond Christians, what about the internal diversity of Hinduism: what do Vaishnavism, Shaivism, and Shaktism have in common, aside from all being rooted in the culture of the Indian subcontinent, and aside from all being grouped together by British colonial rule? In today’s political climate in India, it might be said that Hindusim has become more like a politicized ethnic identity; but where does that leave the large Hindu community in Bali?

We must also consider how religions vary over time. Today we thinking of all evangelical Christians in the United States as wanting to outlaw abortion; yet there was a time, not so long ago, when many or even most evangelical Christians supported the right to abortion. The Sikhs at the time of Guru Nanak’s death did not have the “five Ks”; yet they were nevertheless Sikhs. Mormons didn’t practice plural marriage, then did practice plural marriage, then didn’t practice plural marriage (except for a few small splinter groups); yet who am I, a non-Mormon, to say who was and who wasn’t a Mormon?

To recap, here are some of the things I had to wrestle with as I was writing this curriculum:
— “Religion” is at most a social construct, and may not even exist;
— We have to be careful not to use the social construct of “religion” to impose our will on others;
— “Religions” are internally diverse, sometimes wildly so;
— “Religions” vary over time.

Trying to embed these concepts in a curriculum such that middle elementary children can get some sense of them was challenging. Trying to embed these concepts in a curriculum so that adult teachers would challenge their own (Western, colonial) preconceptions seems almost impossible….

Patol House

While developing a curriculum for middle elementary grades, I found an interesting game, “Patol House,” originally played by Native Americans in New Mexico. I found this game in the book Handbook of American Indian Games by Allan and Paulette Macfarlan (Toronto: General Pub., 1958; reprint, Mineola, N.Y.: Dover Pub., 1985). The Macfarlans are recreating games for use by middle class white kids in summer camps in the 1950s, and no doubt they have modified the rules to this game somewhat. I have further modified the rules, turning this into a board game suitable for use indoors in a multi-racial Sunday school classroom; and I further modified the rules to fill in a gap or two that we found in the Macfarlans’ rules during test play.

Sample game play with adults showed this can be a fun game. It’s supposed to be a game of skill and strategy, not of luck — the skill comes in being able to throw the counting sticks to yield the number you want; the strategy comes in planning your moves to “kill” opponents’ horses. In our sample play, we gained enough skill to throw the desired number maybe one out of ten times, so it was mostly a game of luck for us. But even as a game of luck, it was enjoyable to play.

With no further ado, here’s how to make and play the game:

Making the game: According the the Macfarlans, the Indians used a game board of 40 stones arranged in a circles, with 4 gaps between the stones; the gaps are “rivers.” The design shown in the photo below reproduces this game board on paper; the blue stripes are the “rivers.” I printed the design in halves, on two 11 by 17 inch pieces of cardstock; then gluing the cardstock to foamcore to make a 17 by 17 inch game board. The counting sticks are popsicle sticks that are shortened; the sticks are marked (based on Tiwa Indian designs) as follows: all three sticks have two hatch marks on one side; two are left blank on the reverse side, while one is marked with three hatch marks on the reverse. A flattish stone goes in the center; this is to bounce the counting sticks off. I made two cards showing how to score the throws of the counting sticks. For playing pieces, I found some small stones, as you can see in the photo below; however, these were not very satisfactory, and I have since substituted colored game pawns.

(Notes on making the game: 1. The point of this game is not to try to recreate an utterly authentic Native design, but to make a game that is easily playable. 2. The file for the game board is something like 5400 x 5400 pixels at 300 dpi and too big to post here, so you’ll have to draw your own game board. 3. I’m prototyping the game using the Board Games Maker Web site; when they ship it to me I’ll post a photo on this blog.)

This game works best with 8 or more players. If you have fewer players, give each player two horses; players take a separate turn for each horse.

Setting up the game:

Put the stone in the center of the game board. The playing pieces, called “horses,” remain off the game board until a player plays them.

Throw the counting sticks to see who goes first:

Hold the three counting sticks in your hand about a foot above the game board. Bring your hand down, and release the sticks about 6 inches above the stone (but no closer). The sticks hit the stone, bounce, and fall with one face or another showing. 

The diagram below shows how many points you get, depending on which sides of the counting sticks are showing. The player with the highest number of points goes first.

Game play:

The first player throws the counting sticks, and, starting from a blue circle nearest to where they are sitting, moves their horse that number of spaces. Players may move either clockwise or counterclockwise as they wish, but once they begin moving in one direction they must keep moving in that direction in subsequent turns. However, if they throw a 10, this would place their horse in a river. Horses may not land in rivers. Whenever a throw lands their horse in a river, the player must throw the counting sticks again until they throw a number that will not land their horse in a river.

The other players may begin from the same river that the first player started from, or from a different river. Again, they may move either clockwise or counterclockwise, but once they begin moving in one direction they must keep moving in that direction.

Player’s horses may pass over other players horses. But if one player’s horse ends up on the space occupied by another player’s horse, the other player’s horse is considered dead and must start over. A player may have to start over several times during the course of a game.

If you start over, you must start in the same river you started in before (that is, in the same blue circle). However, if you start over, you can again choose to go either clockwise or counterclockwise—though again, once you choose a direction you have to keep going in that direction, until you have to start over again.

Winning the game: 

The first player whose horse makes it all the way around the circle, back to their starting point or past it, wins the game. 

Strategy: For good players, this is a game of skill. A good player can hold the sticks in their hand and bounce them in such a way as to get the number they want. But be sure to release your hold well above where the sticks hit the stone, so you’re not accused of cheating.

Paper bag puppets for a Jataka tale

I’m in the middle of writing curriculum for middle elementary grades, and here’s a children’s craft project I just developed for this curriculum. These are puppets for acting out the story-within-the-story of the Buddhist Jataka tale “The Little Tree Spirit” (which you can read on my old blog here).

You will need:
patterns that you print and cut out ahead of time
glue sticks or paste
scissors
pencils
black magic markers
paper bags (lunch bag size, 5 x 10 in. folded)
paper or card stock in the following colors:
—pink (for noses and mouths)
—white (for eyes)
—dull green (for Little Tree Spirit)
—bright green (for Great Tree Spirit)
—orange (for Tiger)
—yellow (for Lion’s head)
—brown (for Lion’s mane)

Let’s start by seeing how the Tiger is made.

(1) Cut out the head, attach it to the paper bag:

Trace the head shape from the patterns or draw it freehand on orange paper, then cut it out. Glue the head to what is the usually bottom of the paper bag.

(2) Add details to the head:

Cut out the nose from pink paper, and two eyes from white paper. Glue on the eyes and nose, and draw pupils in the eyes. Using the black magic marker, draw stripes and whiskers on the tiger as shown above.

(3) Add the mouth:

Cut out the mouth, and fold it at about one third of the way across the diameter (about one inch from the edge). Glue the mouth in the flap formed by the bottom of the paper bag where it’s folded over, as shown in the drawing. You want a little bit of the pink mouth to show below the head of the puppet.

(4) Try your puppet:

Put your hand inside the puppet, and make sure the mouth looks right when you open and close the puppet’s mouth.

(5) Make the other puppets:

The rest of the puppets are made in much the same way. (1) For the Lion: use the same head pattern but cut the head out of yellow paper; then cut a mane out of brown paper and glue the head on the mane. (2) For the Little Tree Spirit: use the tree pattern and cut the tree out of green paper. (3) For the Great Tree Spirit: use the mane pattern, cutting the shape out of green paper for the “head.”

Now you have all the puppets you need to act out the story. They’re kind of crude, but they’re effective.