The poet Lew Welch wrote: “I like the idea of giving my readers a text they can perform, themselves. Far too many of our pleasures are spectator sports already…” (introduction to Ring of Bone). The way I like to perform poetry is to write out a fair copy of the poem.
A couple of weeks ago, Carol and I went to the city and stopped in at City Lights Bookstore. I sat in the Poetry Room leafing through books and found the poem “Global Warming Blues” by Mariahadessa Ekere Tallie, in The BreakBeat Poets: New American Poetry in the Age of Hip-Hop (Haymarket Books, 2015). I almost bought the book, but I just got rid of four hundred books so we could fit into our new apartment; no way I could justify buying a new book for just one poem. So I performed the poem by writing out a fair copy on some watercolor paper. I tucked the poem into my coat pocket and forgot about it.
I carried the poem around in my coat pocket. The paper got wrinkled, and the poem got smudged though it was still perfectly legible. Maybe that’s a metaphor for what’s supposed to happen to poetry: poems aren’t supposed to remain captive inside the pristine covers of a book sitting on a bookshelf; poems are supposed to be out in the world: objects of use rather than useless objets d’art. I re-read the last paragraph:
now my town is just a river
bodies floatin, water’s high
my town is just a river
but I’m too damn mad to cry
seem like for Big Men’s living
little folks has got to die
WOW! Thank you for keeping the poem alive. It looks beautiful in your handwriting.
Mariahadessa, the thanks go the other way — thank YOU for this poem — much needed in this dark and difficult time.